朋友的妈妈：朋友的母亲和妻子

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

讲述某处某个“式”的故事——它究竟是祝福，还是一场离别的仪式？答案，藏在某个尚未抵达的地方。

　　座落冲绳的「Hotel Hibiscus」，虽然名为酒店，却是只有一间客房的古旧民宿。里面住着小三女生美惠子和她的家人。美惠子活泼好动，每天和朋友一起去探险。某日，美惠子放学回家时，遇到了倒在地上的青年，并把他带回Hotel Hibiscus…　　导演中江裕司继《Nabbie's Love》四年后的新作，《Hotel Hibiscus》继续以冲绳为舞台。电影改编自Nakasone Miiko的同名漫画，描写小三女生美惠子的冒险和成长。饰演美惠子的蔵下穗波是在3千名冲绳小学生中挑选出来，合演者包括平良Tomi、冲绳民谣歌手照屋政雄、余贵美子等。

　　九位年轻人, 一同出游到一个叫做法国乡间的鲁福瑞村去度假, 殊不知此村庄在上百年前的法国大革命时, 就已经受到死亡的诅咒, 每八年就会有惨案发生, 九位年轻人一到达村庄後, 便一个个消失, 这个神秘的村庄到底发生了什麽事?