拉拉木兰

　　艾美從又濕又冷的浴缸裡驚醒，發現自己似乎被軟禁在一所廢棄的學校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫生，同時也是妻子和悲傷的母親，始終無法認清兒子因為意外已長眠的事實，並認為兒子也被困在學校裡面。在這充滿敵意、超自然煉獄般的學校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學校」的規則，隨著艾美遇到住在「學校」的恐怖邪惡生物，令人畏懼的超自然力量與內心恐懼接踵而至，到底她對抗的是這些恐怖的生物，還是自己的心魔呢?

　　本片以300年前的科曼奇族为背景，讲述了一个名叫纳鲁的年轻女子的故事，她是一位凶猛且技艺高超的战士。她在大平原上一些传奇的猎人阴影下长大，所以当危险威胁到她的营地时，她要保护她的族人。当她发现自己面对的猎物是一个高度进化的外星掠食者，且拥有先进的技术武器，一场恶战开始了！

 Exploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一次偶然中，布兰登（马修·麦康纳 Matthew McConaughey 饰）发现自己竟然拥有一项如此神奇的特异功能——他能够准确预测出每周末举行的橄榄球比赛的结果。这一能力彻底扭转了布兰登失意而又颓废的生活，同时也将他卷入了金钱和利益所构造的漩涡之中。　　沃特（阿尔·帕西诺 Al Pacino 饰）经营着一家体育顾问公司，布兰登的神奇能力在他的眼中无异于是一根点石成金的魔杖。野心勃勃的他找到了布兰登，千方百计的说服了后者加入了他的公司。从此，沃特的事业扶摇直上，布兰登也在沃特的身上找到了亲情和友情。但随着布兰登的能力的逐渐流逝，他和沃特之间的关系也开始了动摇。两人心中都有各自的想法，而最终的赢家只有一个。

 这是一位始终以两性关系、婚姻道德为主题的电影作者，这部获得奥斯卡最佳外语片的《掏出你的手帕》也不在例外。关于影片，布里耶是这样解释的：“表面上看这是一部怪诞的电影，但实际上这是一部彻底颠倒道德标准的片子，不过表现得比较委婉且具有魅力。如果仔细观察就可以看出，所有的道德价值都被颠倒了，所有的道德传统都被抛到了一边。人物的思想状态正处于一种极端混乱的时期，今天你也许还不会把妻子当作礼物送给别人，但也许将来你就可以做到了。”