洛丽塔1962

评分:4.8 播放:79万 更新:2026-05-10

剧情简介

在大学教授法文的亨博特(James Mason 詹姆斯•梅森 饰)少年时期曾有一段刻骨铭心的经历,当年的初恋情人不幸夭亡,令他此去经年依旧对那些充满青春气息的少女有着别样情感。 因工作之需,亨博特寻找住房,因此结识了寡妇夏洛特(Shelley Winters谢利•温特斯 饰)及其妖精一般的女儿洛丽塔(Sue Lyon 休•莱昂 饰)。夏洛特迷上了这位儒雅庄重的大学教师,一心与之交往;而亨博特却迷恋上了青春逼人的洛丽塔,为了和这个精灵长相厮守,甚至违心与夏洛特结婚。他将对洛丽塔的情感全部写进日记,锁入抽屉。直到某天夏洛特打开了潘多拉宝盒,他们的命运从此改变…… 本片根据作家纳博科夫同名小说改编。©豆艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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片名
洛丽塔1962
分类
科幻
评分
5.5
播放量
48万
类型
歌舞
更新日期
2026-05-10
地区分类
音乐

演员阵容

大卫·里恩
塔维尼亚兄弟
吴子牛
让·雅克·阿诺
理查德·林克莱特
刘镇伟
林赛·安德森
林岭东

影评专栏

希望下一张长一点不要卡点再等一周

— 후다닥

终于等到你!还有谁不知道#签名款#上线了嘛!喜欢的都给我冲!!

— マミタ

联系一下卷名,死者是被夺的,此外只有四个子,会不会凶手就是另一子

— 鵜月巴

啊啊啊啊啊啊啊,我不行了,这几集嘴角都到地球外了

— 金舒静

这是我看的第一本耽美作品,至今的白月光

— 夜臣翔

卞妃之前不干政,但毒打一顿这个自家的小出生总可以吧[:a生气:]

— 奥田枠

我的怎么回事儿?我刚看完这集,怎么就弹出一个男婴被两名女童杀害呢

— 御景椿

安在天老当益壮

— 本庄りえ

观众热评

洪班长

坚持住,就剩你了,看的上百个漫画全烂尾了

孙州焕

给截不了图的姐妹们

中条亮

然后呢?断的太难受了,有没有剧t一下,还有种师师什么时候服输

上田规代

为什么想集齐这么难

我岛ヒロ

就苏难这种反叛的先不说,刚封侯的郑和和你长官平级的梁沈都敢动手一个小小的游击将军是真的不怕死啊

ひなこ

无脑看就完事了,别带脑子看,但我为什么总感觉这个木兰有点牛头人呢

沙村广明

生个金木研吧好歹战力在武侠世界是碾压的

よした

趁着这俩还没在一起,有没有组队绿钱错的ໂ?ໃ(1/100)

Maki

“我不了解搭配,但我了解滕科长”

강복치

这改变后,为啥都那么自律了?就因为都是善良嘛[:a笑哭:]

楔ケリ

“如果说雨总是长满荆棘的玫瑰,那钱错肯定是踏着荆轲寻玫瑰的王子.”

永泽るり

快点更啊!!!!多少天了才更一条!!!!

本周票房排行

院线排片信息

正在热映
洛丽塔1962
影片类型
科幻
同类热播
歌舞
观众评分
5.2
累计播放
99万
更新时间
2026-05-10
类型推荐
音乐
题材分类
恐怖
风格标签
历史

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John Tormey,伍迪·艾伦,海伦·亨特,查理兹·塞隆,丹·艾克罗伊德,伊丽莎白·伯克利

人肉炸弹

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莉斯尔·阿勒斯,蕾内·斯沃特,肖恩·卡梅伦·迈克尔

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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