九首歌

　　影片讲述美国著名拳击运动员、“女洛奇”克里斯蒂·马丁的故事。克里斯蒂来自美国西弗吉尼亚州小镇一个相对保守的家庭，当时她作为一个年轻的女同性恋者不被允许做自己，所以用拳击作为表达自己和愤怒的工具。她必须在生活中做出一些危险而根本的妥协，其中最严重的是嫁给一个极其危险的男人。　　1989年，马丁遇到了她的经纪人、后来的丈夫吉姆·马丁，生活发生了转变。她打破界限，成为第一个与金牌拳击推广人唐·金签约的女性，也是唯一一个登上《体育画报》封面的女拳击手。　　克里斯蒂的魅力、漂亮外表和对赛场的适应为她赢得了狂热的粉丝群，并推动她成为次中量级冠军。但在精心塑造的公众形象背后，她面临着个人内心的恶魔、有毒的人际关系以及一次致命的谋杀事件。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　熙攘喧嚣的大都会东京，游魂漫无目的地行走在城市的每一个角落。身穿校服的女高中生树里（土屋太凤 饰）曾经将自己深锁屋中，拒不登校，后来则选择从公寓楼顶一跃而下，结束了自己十几年匆匆的人生。此去经年，她早已忘记当初自杀的理由，甚至有时忽略了已经死去的事实。细细回想生前事，曾有交到的倾心好友，也曾有运动出色的青梅竹马，而如今俱成过眼云烟。曾经讨厌嘈杂低端的她，现在反而喜欢身处其中。树里仿佛是城市中唯一一个亡灵，没有任何说话对象，除了那些怂恿失落的人自杀的虫男。　　这是她的孤独地狱，没有止境的旅程……