野兰花

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

人生低谷迫使两位女子偷盗数百万黄金——这是他们人生中最后一次生死攸关的冒险。                                                                      　　美善（Mi Seon）和道静（Do Gyeong）或许早已习惯在首尔江南区最危险的地段挣扎求生，但这并不意味着她们已经安于此地。除了彼此之外，两位好友只能拼命攒钱，想要摆脱危险的生活方式。然而，就在“退休”指日可待之际，世界却背叛了她们，粉碎了她们的希望。在绝路边缘，她们在江南区发现了一笔隐藏的财富，其中包括赃款和黄金——并将所有赌注押在了人生中最后一次豪赌上。

作为聋人家庭唯一能听见声音的成员，含羞的少女发现自己拥有唱歌天赋，她不得不在履行责任和寻找自己的道路之间做出抉择。