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汽车旅馆人生
时光网讯 据国外媒体报道，埃米尔·赫斯基将主演一部名为《The Motel Life》的新片，而他也被本片最早确定下来的主创人选。 影片改编自Willy Vlautin的同名处女作小说，讲述了一对内达华州的兄弟在经历了一场致命变故后踏上逃亡之路，虽然途中偶然会出现幸运和希望，但他们依旧渐渐被社会所遗弃。
曼克
随着赫尔曼·J·曼凯维奇争分夺秒地完成奥逊·威尔斯的《公民凯恩》剧本，人们将通过这位尖刻的社会评论家兼嗜酒编剧的视角，重新审视 20 世纪 30 年代的好莱坞。
恐影档案
A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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观影评论
还记得不，回忆回忆[:a狗头:]
家人们拿图吱一声
来了，截好了姐妹们，要拿的就拿去吧[:a可爱:]
没人注意到人群那个光头是谁
一员大将加入，接下来就是操练了，颤抖吧，“乞丐”们[:a威胁:]
看似名面博弈，实际上暗流涌动，利益互补。
小浪子是不是越畫越好看了？[:a笑哭:]
我现在正在想这个怎么背下来呢