伊格纳齐奥（图里·费罗TuriFerro饰）的妻子早逝，他独自抚养着三个孩子尼诺（亚历桑德罗·莫莫AlessandroMomo饰）、露西安娜（蒂娜·奥蒙特TinaAumont饰）和帕西诺（StefanoAmato饰）长大。某日，伊格纳齐奥聘用了一位名叫安其拉（劳拉·安托妮莉LauraAntonelli饰）的女佣打理家务，这位安其拉拥有着天使的外貌和魔鬼的身材，在家中掀起了阵阵的涟漪。 随着时间的推移，伊格纳齐奥深深的爱上了安其拉，与此同时，他的儿子尼诺亦对安其拉诸多骚扰。终于，忍无可忍的安其拉决定给少不更事的尼诺来点“教训”，就这样，在安其拉的引导下，尼诺初尝了云雨的滋味。最终，安其拉还是嫁给了伊格纳齐奥，成为了尼诺的继母国外三级
XX是一个新的恐怖文选与性别扭曲的所有段将由女性导演将明星的女主角。在预算和时间限制下，董事们被赋予了自由的创造力，但所有的片段都将涉及到恐怖类型。
老楼真有鬼，背后不是人！青年录音师入住鬼楼，听到鬼频率，看到鬼飘移……长发女鬼，时隐时现，时而爆发出惊人尖叫，时而传来隐隐的鬼哭……突然之间，女鬼出现在房顶，一回头，女鬼又惊现在被子里！惨叫不断，惊吓不断，鬼魅血脸狰狞扭曲，阴森鬼爪惊悚索命！女主陪同男主勇闯鬼楼，挑战千年怨灵，等待他们的是冤魂的报复？还是厉鬼的劫杀？一切都是未知！月圆之夜，人鬼决战呈现在荒郊野外，鬼BOSS终于邪恶登场，终极颤栗一触即发！谁敢回头看背后？颤抖吧，尖叫吧！
郑文森,王子涵,邹超军,刘刚,万斯佳改编自叔叔杰西·祖拉斯基(Jerzy Zulawski)的科幻小说杰作《月球三部曲》，故事描述人类逃离毁灭的地球，飞船坠落在银色星球上，不久后有人开始在星球上进行造神运动，然信徒分化后一派奉此外来政权为神，另一派则视之为魔，人性贪婪的劣根性，在这星球上暴露的一览无遗…… 本片被誉为是“一部拍给另一个世界的人看的电影”。影评人一致推崇这部片是导演安德烈·祖拉斯基电影生涯中，最具史观、野心勃勃且兼具后现代主义的科幻哲思电影，也是他重回故乡波兰拍摄的归乡代表作。 这部充满争议的杰作，安德烈以非常风格化又带着原始情欲的方式，传达其所钟爱的命题：一则后现代主义式的寓言。故事的结局，地球人不但改变原本的内在，连外在也慢慢变成介于人与鸟的中间物种。这种由内而外，进而转化成另一物种的隐喻，也为这部犹如政治寓言的科幻史诗，更添加了奇幻色彩。 1977年当影片拍好八成时，新上任的波兰文化助理大臣禁止此片拍摄，并下令销毁场景、布置和服装，直到1986年波兰民主化，本片才跟着其它禁片出土。本片同时也发掘了戛纳影后克里斯提娜·杨达的潜能，拍摄这部处女作不久，她成为基耶斯洛夫斯基及瓦伊达最喜爱的女演员，也成为波兰的国民影后。
安德烈·瑟韦林,杰吉·特雷拉,格拉齐娜·迪拉格,瓦尔德马·科纳克基,伊沃娜·别尔斯卡,耶日·格拉莱克,埃尔兹别塔·卡尔科什卡,克里斯提娜·杨达,马切伊·古拉伊,亨里克·塔拉尔,莱谢克·德卢戈什,让·弗里兹,亨里克·比斯塔,维斯瓦夫·科马萨,耶日·戈林斯基一位女歌手在目睹其一位歌迷诡异自尽后，身边开始出现各种奇怪的微笑现象，其歌迷纷纷精神失常，开始疯狂地微笑，对女歌手穷追不舍。
娜奥米·斯科特,凯尔·加尔纳,德鲁·巴里摩尔,罗丝玛丽·德薇特,卢卡斯·盖奇,迪兰·格鲁拉,彼得·雅各布森,雷·尼科尔森,劳尔·卡斯提洛,达芙妮·泽利,迈尔斯·古铁雷斯-赖利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter WhiteSet in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔王炸组合！[:a无奈:][:a狗头:][:a可爱:]
不是沈在城门领军的都敢宰了这帮人拿个棒子往前冲？
剧情高质好玩🥰画风超级精美，真的是最喜欢的一本推理漫画😭😭
少了一个“不”字，瑕不掩瑜，再接再厉张肿果真人中龙凤
推荐你康康个性装扮#不健全·盛夏回忆#套装，超级棒！
“你一定会保护我的对吧”
看吧，跟沈浪作对的没一个有好下场[:a苦笑:]
太喜欢了，画风也在我的心巴上，以前就看过，现在从看还是好喜欢
rou一把，沈浪肯定是给他解药跟他提前说过这个情况的。
老婆真美，剧情也很好，男主智力在线。有仇必报
那之后还会有其余的番外嘛