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- 片名
- 三奸
- 主演
- 邵强/
- 分类
- 纪录
- 评分
- 0.8
- 播放量
- 94万
- 类型
- 音乐
- 更新日期
- 2026-05-09
- 地区分类
- 音乐
演员阵容
影评专栏
那之后还会有其余的番外嘛
雨总，你太美了，我宣布，我是那个眼镜！！！
给我看懵了[:a苦笑:]//救赎的雨～：为什么他那些字有的被涂黑了？
长公主古代人应该听不懂这词，但百分百肯定从沈浪嘴里吐出的不是好词。[:a滑稽:]
说仙人授艺，凭借知识，当地最有权者可以是你后台
现在看都成404了
真要觉得人数有用，阿鲁台，苏难，郑托就不会死了
再更一话吧，他们什么都会做的[:a催更:]
观众热评
推荐你康康个性装扮#不健全·盛夏回忆#套装，超级棒！
看吧，跟沈浪作对的没一个有好下场[:a苦笑:]
拿图吱声，这俩好甜，快来嗑[:a称赞:]
大大我给你分享的时候名字写分了对不起🙏🙏
更新了！！！几日不见，小两口变得些许亲密了？恕我愚笨实在看不懂剧情只顾着欣赏美貌了[:a嘿嘿:]
[:a慈爱:]懂得都懂，这个五星的含金量。
emmm又重看了几遍…发现这里有画过唉???别在意???不怎么好看?(全发是因为懒得再发贴)
斩草务必除根，他儿子已经死了，老登要是放过以后一定是祸患
这话想起某人想喝寡姐的洗澡水[:a滑稽:]
还能看一段时间，搬到三王子之后就没必要在买了！
密码的，用AI就算了，什么崩掉的图都放出来，脸都不要了
雨总[:zgxdheizi|yyds:]拿图吱声[:a可爱:]
本周票房排行
奇幻变身大冒险
迈克尔·B·乔丹,朱诺·坦普尔,崔西·摩根,塞德里克·凯尔斯,内森·格雷诺,贾斯蒂娜·马查多,Joan Ryan,Antwinette Mccloud,Camden Brooks我的学姐是青蛇
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜瓢虫少女特别篇：巴黎故事
犯罪现场调查完结篇：不朽
特德·丹森,乔雅·福克斯,艾瑞克·兹曼达,罗伯特·大卫·豪尔,华莱士·朗翰,大卫·伯曼,伊莉莎白·哈诺伊斯,乔·维尔内尔,威廉·彼德森,玛格·海根柏格,保罗·吉尔福伊尔,迈克尔·比奇,布瑞达·伍尔,凯蒂·史蒂文斯,Alexandra Barreto不露声色
罗素·克劳,埃尔莎·帕塔奇,利亚姆·海姆斯沃斯,杰奎琳·麦根斯,罗伯特·菲茨杰拉德·迪格斯,马特·纳夫莱,K·卡兰,林恩·吉尔马丁,丹尼尔·麦克弗森,斯蒂夫·巴什托尼,本尼迪克·哈迪,Dan Matteucci,莫莉·格雷斯,Paul Tassone,Jemima Quinn,扎克·格里奇夏洛克：未叙之章特别篇
藤冈靛,岩田刚典,木南晴夏,山田真步,佐佐木藏之介领养惊魂
约翰·库萨克,蕾切尔·勒费夫尔,瑞恩·菲利普,路易斯·古兹曼,杰基·韦佛,伊莎贝拉·阿德里亚尼,Blas Diaz同类型经典对比
智能女佣
在妻子的意识被转移到机器人中后，一个鳏夫发现自己陷入了一个致命的三角恋中，嫉妒的人工智能竭尽全力阻止他与一个新女人继续前进。
尼克·卡鲁乔,Hailey Mauk,朱丽叶·塞茜尔秒速5厘米真人版
改编自新海诚创作的同名动画电影，讲述了一段跨越时间与距离的青涩爱情与成长故事。
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃爱,木龙麻生,宫崎葵,吉冈秀隆,冈部敬史,中田青渚,田村健太郎,户塚纯贵,莲见翔,又吉直树,堀内敬子,佐藤绯美,白本彩奈绑架2016
A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.
西耶娜·盖尔利,威廉·B·戴维斯,梅丽·卡尔维第27天生死劫
吉恩·巴瑞,Valerie French,乔治·沃斯科维奇,阿诺德·莫斯,Stefan Schnabel,拉尔夫克兰顿,Friedrich von Ledebur,保罗·伯奇
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罗萨里奥
大卫·达斯马齐连,何塞·祖尼加,艾米莉亚·福彻,保罗·本-维克托,埃默罗德·图比亚,尼克·巴拉德,戴安娜·莱茵,Indhira Serrano,卢纳·巴克斯特,Guillermo García,康斯坦萨·古铁雷斯,加玛尔·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos羊背上的DJ
Arif Jakup,Agush Agushev,Aksel Mehmet,Dora Akan Zlatanova,Selpin Kerim,Atila Klince,Elhame Bilal,Metin Ibrahim,Tamer Ibrahim,Adem Karaga,Nadzi Shaban血观音
惠英红,吴可熙,文淇,柯佳嬿,陈莎莉,丁强,刘尚谦,林志儒,王月,温贞菱,王伟六,陈珮骐,尹昭德,大久保麻梨子,巫书维,颜毓麟,刘越逖,傅子纯,陈武康,施名帅,秀兰玛雅,应朗丰,李铨食梦者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿时,山田孝之,宫藤官九郎,中川雅也,染谷将太金刚的逆袭
宝田明,罗兹·利森,滨美枝,琳达·米勒,天本英世机器生活
艾狄森·蒂姆林,詹姆斯·达西,史蒂文·斯崔特,德鲁·凡·阿克尔,马克·法姆吉列蒂,里桑·瓦伦丁,埃朗·米歇尔·蒙汉,希拉里·巴拉福德,尼古拉斯·巴迪外星精神病
Steve Baran,Jackson Berlin,Lee Tomaschefski女孩白日梦
郑筠熹,尤柏耘,郑景文,古峰相会在昨天
伊登·邓肯-史密斯,亚斯特罗,玛莎·斯蒂芬妮·布莱克,迈拉·卢克利希亚·泰勒,达马里斯·刘易斯,弗兰克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴灵顿·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ureña,Khail Bryant,Allen Holloway,Ejyp Johnson另一个地球
威廉·麦鲍瑟,布里特·马灵,马修-李·埃尔巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,鲁伯特·雷德编辑推荐精选
怪物惊魂
某年圣诞节期间，位于一个僻静舒适角落的格兰达尔森林旅馆正式开业。美丽的女店主阿哈娜（碧帕莎·芭素 Bipasha Basu 饰）为了这一天可谓煞费苦心，她以一己之力安排旅馆内的一切事务，与此同时第一批客人也接二连三入住。虽然状况不断，不过旅馆的开业仪式总算顺利进行了下来，而且她还因误会结识了拥有迷人气质的客人库纳尔·阿南德（Imran Abbas 饰）。然而在前一晚，给旅店送货的司机遭到不明生物的袭击，死状可怖。次日，一对新婚燕尔的夫妻也在丛林中遇袭。 恐怖的死亡气氛迅速蔓延，阿哈娜好不容易建立起来的梦想旅馆，面临怪物的无情毁灭……
微笑的山谷
带着过往伤痛，塞吉欧只身一人前往「微笑之村」担任代理教师。这座对负能量零容忍的小镇，明明曾遭逢巨变，居民们却笑口常开。原来，让这座微笑之村风光明媚的秘方，是一位能吸取人间苦痛的男孩，他的身体如祭坛，透过拥抱承担全村的悲伤。他为人搭建快乐天堂，自己却陷入无尽黑暗。塞吉欧与男孩的相遇，搅乱了镇上的平衡；那座炼狱之门，也终将反向人间敞开。
旅行者的需求
来自法国的旅行者伊丽丝在韩国担任法语家庭教师赚取生活费。语言的隔阂让她和学生之问的交流充满错位感，东亚文化中不善于思考和表达内心情感的“痼疾"又与渴望交流与开放的心态交织在一起，触发了只有异国旅行者才能感受到的特殊孤独与惆怅。被誉为韩国作者电影第一人的导演洪常秀继《在异 国》《克莱尔的相机》之后与法国国宝级女演员伊莎贝尔·于佩尔再度合作，用极简主义的拍摄手法呈现细致入微的人际关系精妙互动，斩获2024年第74届柏林国际电影节评审团银熊奖。
七月返归
内详暂无简介
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.