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皮埃尔·若利韦,让·布伊兹,让·雷诺此片是卢贝松再影坛还没没无闻时，凭著一腔热血，旺盛活力与爆发力， 突破一切传统，挣脱一切商业机制下的樊笼，冒著无色彩，无对话，无明星等大讳所完成的电影。当影片完成时，因宣传无门，于是卢贝松带著这部影片参加瑞士阿沃基影展，一举拿下评审特别大奖及影评人奖，因而打开他的国际知名度。解剖核子战后的文明废墟，因为无色彩，所以这是一部黑白色调的电影。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
水底惊魂
丹尼尔·祖瓦图,邦妮·丹尼森,克里斯·康罗伊,乔尼·奥尔西尼,葛瑞芬·纽曼,Mackenzie Rosman,马克·马戈利斯阳光明媚的日子里，约翰（丹尼尔·佐瓦特 Daniel Zovatto 饰）和凯蒂（邦妮·戴尼森 Bonnie Dennison 饰）、麦特（克里斯·克罗伊 Chris Conroy 饰）、齐克（格里芬·纽曼 Griffin Newman 饰）、西蒙（约翰尼·奥希尼 Jonny Orsini 饰）和黛比（Mackenzie Rosman 饰）等五名好友，驱车来到一个毗邻湖边的僻静所在进行他们毕业前的纪念派对。他们划着小船来到湖中央，曾经有着恐怖记忆的约翰对这片水域颇多忌惮，但是他胆大妄为的伙伴们则竞相跳入水中，享受戏水的快乐时光。谁知好景不长，先是小船遭到猛烈碰撞，接着黛比被一条怪鱼咬伤致死。 年轻人的噩梦由此展开，他们的磨难还未就此结束，嗜血猎手渐次向他们逼近……
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观影评论
世界名画《王菠萝的微笑》
给你投月票了，下一话记得好好画[:a滑稽:]
“如果还有机会的话”怎么办我嗅到了一股刀的味道
为了我推（陈定泫）当然要五星啦~
让我看看是哪些宝子不能截图
反转一直反转！[:a狗头:][:a可爱:]
果然，自古以来天时地利人和缺一不可。虽然是剧情推动，但一直如此。
宁寒公主和沈浪有关系吗看过的告知一下谢谢
呜呜呜好喜欢啊啊啊啊啊已入坑[:aYeah:][:aYeah:][:aYeah:]
JQ入手了#不健全·盛夏回忆#，现在购买还有神秘福利掉落哦～～