床战闺蜜

　　

在一场世纪大地震后，矗立于海中央的“重力墙”将世界一分为二，形成两个不同的时区和重力环境，“优日区”的一天，是“长年区”的一年。长年区长大的薯仔（许光汉 饰）对来自优日区的实习医生安晴（袁澧林 饰）一见钟情，面对时间和地理的巨大阻碍，薯仔和安晴用尽全力双向奔赴，以年思念，以日相见。在失衡的时空里，他们能否坚定地爱到最后，守护这场刻骨铭心的爱恋？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

一位外向、人缘好的酒吧老板，虽然平日喜欢与人群为伍，内心深处却一直隐藏着对十年前逝去恋人的细腻思念。每当他遇见容貌神似她的女子，总是不自觉地驻足凝望，深陷于回忆的漩涡中。