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玉米地的小孩:大逃亡
玛茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年轻的孕妇露丝逃脱了凶残的儿童邪教。在接下来的十年里,她匿名生活,试图使儿子免遭她小时候所经历的恐怖,但有邪恶跟着她,现在,她必须面对邪恶,或者失去孩子……
风云宝石Ⅰ:罗汉岩
甄鹏宇,邓玉莹,张潮丰陈霸先在梁朝末年以将军之身,始终如一守护风雨飘摇的王朝。因遭遇奸佞小人乘虚而入亲信背叛。经历挚友挚亲舍生取义而牺牲掩护逃离生死危机。心灰意冷之际,偶入世外桃源罗汉岩,就此遇良人遇恩师出江湖重整旗鼓。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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太好看了,太牛了了!
那个,刚刚下这个软件,就想问一下,这里完结了吗
现在吼妻这么厉害,以后就得跪着求妻[:a笑哭:][:a笑哭:][:a笑哭:]
现在开始进入点券阅点的模式了,旧模式可以扫进历史堆了
戏份太足了,皇帝的病后面治好了吗
不读历史的人写穿越剧,只是爽文罢了,推荐读者看看《明朝败家子》,比你的作品有深度,还比你作品爽。
拿图就点个赞吧!
绿茶?可恶!作者有点画本子的迹象啊。特别是这女的哭的时候,
为什么我跟你们都不一样,我那一段直接被删了。
沈浪:虽然我弱鸡,但是我帅啊!还有几个漂亮老婆呢!你们有吗?[:a狗头:]